<p class="ql-block">第九屆大理國際影會(huì)，盛大開幕視頻</p> <p class="ql-block">「影像看世界，典藏看大理」</p> <p class="ql-block">虛幻中文版配音：王兵</p> <p class="ql-block">《虛幻》</p><p class="ql-block">攝影師：金利眾 策展人：安光系 執(zhí)行策展人：陸煥東</p><p class="ql-block">金利眾把攝影當(dāng)作了一個(gè)偵探的工具，對一些抽像而無法確定的行為或動(dòng)作，進(jìn)行聚焦定格，帶我們進(jìn)入了一個(gè)個(gè)想象空間。他選擇一些抽煙的男女，將其置身于專業(yè)的影室內(nèi)，打好光影，隱去人物的面孔和身體其它部分，而專注于抽煙的手指和人吐煙之后的嘴巴。煙霧在空氣中彌漫，留給我們的則是無窮無盡地想象。</p><p class="ql-block">金利眾給我們設(shè)置了一場懸念。沒有面孔，沒有身體，只有嘴巴或手指在抽出的煙霧里展現(xiàn)。他們是誰？為什么要抽煙？他們在抽煙時(shí)得到的是什么樣的感受？人類為何要有這樣的成癮性行為？我們該如何拒絕？</p><p class="ql-block">缺失成了最佳的欣賞方式。謎一般的作品，精確、帶著情感的記錄以及不停地提醒人們前去猜想，成了作品吸引我們的關(guān)鍵所在。</p><p class="ql-block">Illusory</p><p class="ql-block">Photographer: Jin Lizhong</p><p class="ql-block">Curator: An Guangxi</p><p class="ql-block">Executive Curator: Lu Huandong</p><p class="ql-block">Jin Lizhong treats photography as a detective’s tool, ing on some indefinable behaviors or actions, and bring viewers into an imaginary space. He chose some men and women who smoke cigarette, placed them in a professional studio, used light and shadow to hide their faces and other parts of the bodies, and solely ed on their fingers and mouths. The smoke fills the air and leaves us with an endless imagination.</p><p class="ql-block">Jin Lizhong sets up a suspenseful scene for us. There are no faces, no bodies, only mouths or fingers emerging in the smoke. Who are they? Why are they smoking? How do they feel when they smoke? Why do humans engage in such addictive behavior? How can we reject it?</p><p class="ql-block">Proper blank space in art sometimes is the best way to appreciate it. The mysterious work, along with his precise recordings constantly reminding people to think about it, which makes it appealing to us.</p> <p class="ql-block">虛幻英文版配音：劉明</p> <p class="ql-block">2021年第九屆大理國際影會(huì)</p> <p class="ql-block">窗，是什么？</p><p class="ql-block">是墻或屋頂上建造的洞口，</p><p class="ql-block">用以使光線或空氣進(jìn)入室內(nèi)嗎？</p><p class="ql-block">不，遠(yuǎn)不止這些。</p><p class="ql-block">它，代表生命，代表對美的追求與傳播。</p><p class="ql-block">既是生活與時(shí)光打磨后的真實(shí)，</p><p class="ql-block">也飽含一磚一瓦所寄托的夢想。</p><p class="ql-block">是私人對美好的追求，亦是展覽的公共藝術(shù)。</p><p class="ql-block">在表達(dá)理想與愿望，在展現(xiàn)文明與優(yōu)雅。</p><p class="ql-block">是普羅大眾正更新迭代的信仰、向往、審美、價(jià)值觀，</p><p class="ql-block">在傾訴的是現(xiàn)實(shí)、歷史、建筑文化和大眾的生活美學(xué)。</p><p class="ql-block">不去追求絢麗耀眼的光影，虔誠而坦率對待客觀的事實(shí)。</p><p class="ql-block">靜靜凝視窗內(nèi)窗外的世界，重新審視觸手可及的風(fēng)景。</p><p class="ql-block">時(shí)代的變遷，在方寸之間能被體現(xiàn)得淋漓盡致。</p><p class="ql-block">它，不僅僅是窗。</p><p class="ql-block">是一段段鮮為人知的歷史，是一個(gè)個(gè)等待述說的故事。</p> <p class="ql-block">松陽地處浙西南山區(qū)的松古盆地，自東漢建安四年（199）置松陽縣至今已有1800多年的歷史了。其中，唐武德三年（620），曾升松州，武德八年（625），仍復(fù)為松陽縣。唐貞元間（785?—805），因縣治古市屢遭水患，就遷移到了今天的縣城所在地——西屏鎮(zhèn)；天寶三年（910）吳越王錢镠改松陽縣為長松縣，天福四年（939）又改長松縣為白龍縣。自宋咸平二年（999）復(fù)名松陽縣后，縣名沿用至今已有1000年。</p> <p class="ql-block">大教堂，又稱大禮拜堂（莫干山450號），位于莫干山中心景區(qū)中華山東南坡，即景區(qū)環(huán)山公路崗頭北段的德清路邊。落成于民國12年（1923年）7月15日，由美國人海依士所建，教會(huì)產(chǎn)。昔時(shí)稱“聚會(huì)堂”，整幢別墅以就地山石徹筑，石墻、石柱，矗立山端，遠(yuǎn)遠(yuǎn)望去，似一座堅(jiān)固的城堡，是莫干山建筑群中典型的中世紀(jì)城堡式建筑。內(nèi)設(shè)禮堂，可容納六百人集聚。早期底層分為幼稚園、藏書樓、閱覽室，底層以下部分為蓄水量300噸水庫。歷史上此建筑為耶穌教徒禮拜、祈禱活動(dòng)場所，常在此舉行音樂會(huì)、游藝會(huì)、演講會(huì)。現(xiàn)為莫干山會(huì)議舊址展館。</p> <p class="ql-block">《窗》</p><p class="ql-block">圖：金利眾 文：安光系 執(zhí)行策展人：陸煥東</p><p class="ql-block">攝影師金利眾，把鏡頭對準(zhǔn)浙江溫州一帶的窗戶，使之成為自己的關(guān)注對象。他歷時(shí)兩年，選擇了不同類別的窗戶，作為他的拍攝內(nèi)容。他用照片給我們揭示了日常生活中的一道繞不開但又容易忽略的風(fēng)景—窗。</p><p class="ql-block">如果細(xì)細(xì)觀察，我們可以發(fā)現(xiàn)，人們通常把它當(dāng)作了一個(gè)既隱私又公開的一個(gè)工具。如何設(shè)計(jì)、改造和利用窗戶，則是人類的一個(gè)重要生活內(nèi)容。在攝影師的作品里，原本平常的窗戶變成了一種符號，莊嚴(yán)、華麗，表面上是窗戶，實(shí)際上虛擬了普通百姓追求的神圣與崇高。普通民眾的現(xiàn)世追求以及美學(xué)觀念和美學(xué)價(jià)值，我們?nèi)粘Ｉ钪械慕ㄖ臻g與建筑美學(xué)，都在這些照片里得以呈現(xiàn)。</p><p class="ql-block">攝影師在選擇表達(dá)方式上，采用了“去掉”光影的方式，著力去強(qiáng)調(diào)窗戶本身的信息。這些信息，如同博物館里的實(shí)物，不斷地向我們昭示主人或內(nèi)斂謙遜或高調(diào)張揚(yáng)的性格，從而讓我們?nèi)ソ庾x普通百姓的向外表現(xiàn)之美。在拍攝過程中，始終把窗戶當(dāng)“人”來拍，尊重了事物本來的樣子。</p><p class="ql-block">窗戶既是既是私人的生活美學(xué)符號，也是小面積的公共藝術(shù)。通過金利眾的這些照片，我們能從中看出普通百姓新的信仰，新的生活價(jià)值，新的審美與新的建筑藝術(shù)形式。這里展現(xiàn)的，絕不是一個(gè)個(gè)窗戶，而是現(xiàn)實(shí)、歷史、建筑文化和普通百姓的生活美學(xué)。攝影師拍攝目的是為了讓讀者重新審視我們身邊的這些風(fēng)景，對理解浙江當(dāng)?shù)厣踔琳麄€(gè)中國的建筑景觀、生活景觀及文化景觀提供更翔實(shí)的視覺文化檔案，從而為人們了解當(dāng)代中國的建筑史、窗戶歷史等方面提供更科學(xué)的影像樣本。</p><p class="ql-block">從這個(gè)意義上講，他拍的不僅僅是一扇窗戶，而是一個(gè)世界。人們曾經(jīng)擁有的信仰與美學(xué)，都可以在這一扇扇窗戶里體現(xiàn)。</p><p class="ql-block">s</p><p class="ql-block">Photographer: Jin Lizhong</p><p class="ql-block">Text: An Guangxi</p><p class="ql-block">Executive Curator: Lu Huandong</p><p class="ql-block">Jin Lizhong, the photographer, ed his camera on the s around Wenzhou, Zhejiang providence. It took him two years to choose different s for his photographs, which reveals to us a common but easily ignored object in our daily life.</p><p class="ql-block">If we take a closer look at the s, we can find out that people generally consider it as an implement that is both private and public. How to design, modify and use these s is a significant part of human life. In Jin’s work, the ordinary s become a solemn symbol, that express the sacred pursuit of people. Their aesthetic value, along with the architectural space, are all presented in these images.</p><p class="ql-block">The photographer weakened the light and shadow in order to emphasize the s themselves. It is like a museum, that s constantly reveal us their owners’ personality, which may be understated or flamboyant, thus allowing us to interpret the expression from ordinary people. During the shooting process, Jin always treated s as people, respecting their original appearance.</p><p class="ql-block">s are both personal aesthetic symbols and public art in small area. Through Jin’s photos, it is easy to tell ordinary people’s belief, their values, and their new architectural art forms. What Jin shown to us is never just a , but the history and architectural culture of people. The purpose of shooting these photos is that the photographer wants us to reexamine the objects around us, and to provide a more informative visual and cultural archive for the local architectural landscapes in Zhejiang and even entire China, and also for people to understand the history of s in contemporary China.</p><p class="ql-block">In that sense, what he photographed is not a but a world. The beliefs and aesthetics that people once had can be reflected in these s.</p> <p class="ql-block">窗中文版視頻配音：王兵</p> <p class="ql-block">手機(jī)13906647111</p> <p class="ql-block">郵箱:39438909@qq.c</p><p class="ql-block">om</p> <p class="ql-block">到我們展位指導(dǎo)的各位大咖（不完整或不準(zhǔn)確的話，請補(bǔ)充）：</p><p class="ql-block">鮑利輝老師</p><p class="ql-block">王慶松老師</p><p class="ql-block">嚴(yán)志剛老師</p><p class="ql-block">姜健老師</p><p class="ql-block">托尼（大理女婿）老師</p><p class="ql-block">段岳衡老師</p><p class="ql-block">楊延康老師</p><p class="ql-block">林路老師</p><p class="ql-block">姚璐老師</p><p class="ql-block">胡國慶老師</p><p class="ql-block">陳小波老師</p><p class="ql-block">白瑞德（法國大使）</p>